London provides an endlessly useful romantic backdrop, and Janet Elizabeth Henderson uses it to ground her London Girls series in a specific urban energy that distinguishes it from small-town romance’s very different rhythms. Mad Love opens the series with the kind of intense, chaotic attraction that earns the title, dropping two people into each other’s orbits with maximum emotional disruption and minimum convenient timing. 💕
Henderson writes contemporary romance with a strong sense of humor and genuine character chemistry, giving her London setting real texture beyond just Big Ben establishing shots. The series format promises interconnected love stories built around a tight group of women navigating the particular complications of modern urban life alongside the more universal ones of falling for someone unexpectedly. 🌆
Readers who enjoy contemporary romance with a lively London setting, sharp banter, and the specific pleasures of a series built around a friendship group will find this a fun, engaging series opener.
Why this charms: it pairs a vivid London backdrop with the kind of intense, badly timed attraction that makes the mad qualifier in the title feel completely accurate.
A widow running a ranch in the American West carries enough built-in story that Ruby Westbrook barely needs to add anything else, but she does, folding a slowly developing romance into the practical, physical demands of keeping a property alive without the man who was supposed to be there to help with both. The title’s word hope signals a story more interested in what comes after loss than in the loss itself. 🤠
Westbrook writes western historical romance with the warmth and community spirit that defines the Hearts Across the West series, giving her widow protagonist real competence and resilience alongside the vulnerability that makes the romance meaningful rather than merely decorative. The ranch setting grounds the story in specific, tactile work rather than the more generically picturesque western backdrop. 🌅
Readers who enjoy western historical romance with a strong, capable heroine and a romance built on shared labor and slowly earned trust will find this a warm, satisfying read.
Why this warms: it builds its romance around the particular trust that develops between two people who have to rely on each other to keep something alive, giving the relationship real roots in shared work and hard-won hope.
Museums are custodians of the past, but when murder enters the picture, the past has a way of becoming suddenly, uncomfortably present. Karen Shughart opens her Edmund DeCleryk series in a setting that lends itself naturally to mystery, a repository of objects with histories, secrets, and the occasional skeleton that someone would rather stay in a cabinet. 🏛️
Shughart writes cozy mystery with a strong sense of place and an investigator whose background gives him a distinctive relationship to the setting, Edmund DeCleryk’s connection to the museum world providing both professional access and personal stakes in understanding what happened within its walls. The series opener establishes a protagonist with enough depth to carry a long-running series while delivering a satisfying self-contained whodunit. 🔍
Readers who enjoy cozy mysteries with a cultural institution setting and an investigator whose expertise is genuinely relevant to the case will find this a promising, well-constructed series start.
Why this intrigues: it puts murder in a setting built around the preservation of history, where the gap between what’s officially on display and what’s actually happened can be very wide indeed.
The Great Modern Poets: An anthology
Michael Schmidt is one of the most respected poetry editors working in English, founder of Carcanet Press and a longtime champion of serious contemporary poetry, and his anthologies carry a curatorial authority that most collections can’t match. The Great Modern Poets gathers work from across the twentieth and twenty-first centuries into a volume designed to give readers a genuine sense of where the art form has been and what it has become. 📖
Schmidt selects with both breadth and conviction, representing the major movements and voices of modern poetry without flattening everything into a greatest-hits survey, letting individual poems speak with their full weight rather than reducing them to representative specimens. His editorial instincts lean toward poetry with real staying power rather than fashionable contemporaneity. ✒️
Readers new to modern poetry who want a serious, well-chosen introduction, or experienced readers looking for a single volume that covers the terrain with genuine editorial intelligence, will find Schmidt’s selection an excellent guide.
Why this endures: it brings a serious poetry editor’s lifelong curatorial intelligence to bear on modern verse, producing an anthology that reads as a coherent argument about what the last century of poetry has actually achieved.
Someone has a plan, and it involves making a particular person pay for something they did, or something they’re believed to have done. Jackie Kabler builds her psychological thriller around the deliberate architecture of revenge, exploring what happens when a carefully constructed plot starts encountering the unpredictability of actual human beings who don’t behave the way they’re supposed to. 🔪
Kabler writes tightly plotted domestic suspense with a strong sense of the psychological mechanics underlying her characters’ motivations, giving the revenge premise real interior complexity rather than treating it as a simple matter of cause and effect. The question of whether the target actually deserves what’s coming adds a layer of moral ambiguity that keeps readers from settling too comfortably into one perspective. 🌑
Readers who enjoy psychological thrillers built around deliberately planned harm and the complications that arise when plans meet reality will find Kabler a reliable, twisty read.
Why this grips: it builds its tension around the gap between a perfectly constructed revenge plan and the messy human reality that keeps refusing to cooperate with it.
Johnny Walker is the pseudonym of an Iraqi interpreter who worked alongside U.S. Navy SEALs through some of the most dangerous operations of the Iraq War, doing work that required extraordinary courage while knowing that discovery would mean death not just for himself but for his entire family. Jim DeFelice, who co-wrote American Sniper, helps Walker tell a story that offers a genuinely rare vantage point on the war. 🎖️
What makes this memoir distinctive within a crowded genre is its perspective, an Iraqi’s view of the conflict, his reasons for fighting alongside American forces, the impossible position that put him in with his own community, and his eventual immigration to the United States. Walker’s account complicates the war’s narrative in ways that purely American-perspective memoirs simply can’t, without diminishing the valor or sacrifice on either side. 🌍
Readers who enjoy military memoir and want a perspective on the Iraq War they haven’t encountered before will find Walker’s account both gripping and genuinely illuminating.
Why this matters: it tells the Iraq War from a vantage point almost no other memoir has access to, through the eyes of an Iraqi who risked everything to fight alongside the Americans and paid an enormous personal price for it.
… See the rest of today ‘s Book Picks here on page 3Page 3





