A curse, a hidden identity, and a dangerous love—at ten years old, Persinette Basile fled the palace of Gaule for her life, and now at eighteen, she must find a way to return in order to obey a curse on her family line. M. Lynn launches The Six Kingdoms with fantasy romance where the prince won’t know who she is, not anymore, but she knows him and what he will do if he discovers her true name—made to fight for her life to earn her place, she vows to find a way to break the curse no matter the cost. ⚔️To the death—the words describing the upcoming tournament turn Prince Alexandre Durand’s blood to ice as the last warrior standing will win a spot at his side. Lynn explores what happens when cursed princesses must hide their identities to compete in death tournaments, examining how as he’s thrust onto the throne, forbidden magic, dangerous betrayals, and a complicated love could tear his reign apart—when the secrets begin to unravel, will Alex stay true to the laws and traditions of Gaule or will he give it all up for a woman who deceived him? 👑
The author delivers fantasy romance where family curses require returning to palaces under false identities to fight to the death, proving that sometimes breaking curses means risking execution if the prince discovers who you really are. Lynn writes a heroine whose childhood flight from the palace becomes adult return under deadly tournament conditions. The first Six Kingdoms novel asks whether princes forgive deception when the woman they love was supposed to die years ago. 💔
What makes this special: Fantasy romance launching The Six Kingdoms where a curse, a hidden identity, and a dangerous love collide—at ten years old Persinette Basile fled the palace of Gaule for her life and now at eighteen she must find a way to return in order to obey a curse on her family line as the prince won’t know who she is, not anymore, but she knows him and what he will do if he discovers her true name—made to fight for her life to earn her place she vows to find a way to break the curse no matter the cost as “To. The. Death.” words describing the upcoming tournament turn Prince Alexandre Durand’s blood to ice with the last warrior standing winning a spot at his side—as he’s thrust onto the throne, forbidden magic, dangerous betrayals, and a complicated love could tear his reign apart, asking when the secrets begin to unravel whether Alex will stay true to the laws and traditions of Gaule or give it all up for a woman who deceived him.
She was forced into a life she didn’t choose, and he’s falling for the thing he hates the most—when her husband of twenty-five years leaves her to expedite his political agenda, and his new girlfriend ensures she has no place within the shadow council, she is starting over with a new business and no financial security. Brenda Trim and Tia Didmon launch Shrouded Nation with paranormal women’s fiction where with her occult shop starting to turn a profit and new friendships blooming, she doesn’t plan to let anybody stand in the way of her future, but when a member of the Council falls ill, they turn to the witch they so callously cast aside—her. 🔮If she helps her ex, she is solidifying his seat of power, but if she doesn’t, innocent people will die and the ancient power unleashed will destroy more than their mystical town. Trim and Didmon explore what happens when shadow councils discard witches then beg for help when members fall ill, examining how starting over with occult shops means choosing between revenge and saving innocent lives. ✨
The authors deliver paranormal women’s fiction where twenty-five-year marriages end with political expediency, proving that sometimes the thing he hates most is exactly what he needs when ancient powers threaten mystical towns. Trim and Didmon write a witch whose new business success gets interrupted by the council that cast her aside, creating stakes where helping your ex means empowering him but refusing means letting innocents die. The first Shrouded Nation novel asks whether you can save people who destroyed you. 💔
Why I’m including this: Paranormal women’s fiction launching Shrouded Nation where she was forced into a life she didn’t choose and he’s falling for the thing he hates the most—when her husband of twenty-five years leaves her to expedite his political agenda and his new girlfriend ensures she has no place within the shadow council, she is starting over with a new business and no financial security—with her occult shop starting to turn a profit and new friendships blooming she doesn’t plan to let anybody stand in the way of her future, but when a member of the Council falls ill they turn to the witch they so callously cast aside: her—if she helps her ex she is solidifying his seat of power, but if she doesn’t innocent people will die and the ancient power unleashed will destroy more than their mystical town.
Music is a harsh mistress—getting the job as a backup singer in the breakout rock band Killer Valentine is the chance of a lifetime for curvy, redheaded Rhiannon Macallen who has spent every moment of the last five years preparing for her shot at the spotlight with a breakneck schedule of music lessons, band performances, and voice coaching that has consumed every second of her life and every penny from her poverty-level part-time job. Blair Babylon launches Rock Stars in Disguise: Rhiannon with romantic suspense where the contract she signs has an ironclad no-fraternization clause: no screwing around with the band members. 🎸But Killer Valentine is falling apart—drugs, groupies, and the rock-and-roll lifestyle are seducing the rockers despite the desperate efforts of the lead singer and the band manager, a green-eyed, gorgeous hunk named Jonas Rees. Babylon explores what happens when backup singers with ironclad no-fraternization clauses fall for band managers trying to hold self-destructing rock bands together, examining how Rhiannon tries to help Jonas hold the band together, but every time they retrieve one of the rockers from another drug-addled disaster, Jonas’s sultry looks and lingering touches make her yearn for what might have been. 💔
The author delivers romantic suspense where breakout rock bands fall apart from drugs and groupies, proving that sometimes the chance of a lifetime comes with contracts forbidding exactly what you want most. Babylon writes a backup singer whose five-year preparation for the spotlight didn’t include preparation for gorgeous band managers whose lingering touches violate contracts. The Rock Stars in Disguise launch asks whether you can save a band while breaking the rules that got you hired. 🎤
What makes this compelling: Romantic suspense launching Rock Stars in Disguise: Rhiannon where music is a harsh mistress—getting the job as a backup singer in the breakout rock band Killer Valentine is the chance of a lifetime for curvy redheaded Rhiannon Macallen who has spent every moment of the last five years preparing for her shot at the spotlight with a breakneck schedule of music lessons, band performances, and voice coaching that has consumed every second of her life and every penny from her poverty-level part-time job—the contract she signs has an ironclad no-fraternization clause: no screwing around with the band members—but Killer Valentine is falling apart with drugs, groupies, and the rock-and-roll lifestyle seducing the rockers despite desperate efforts of the lead singer and the band manager, a green-eyed gorgeous hunk named Jonas Rees, as Rhiannon tries to help Jonas hold the band together but every time they retrieve one of the rockers from another drug-addled disaster, Jonas’s sultry looks and lingering touches make her yearn for what might have been.
The Last Move
Catching monsters helps FBI agent Kate Hayden keep her nightmares at bay—now an urgent call brings her back to San Antonio, the scene of her violent past, as a brutal new murder shows hallmarks of a serial killer nicknamed the Samaritan. Mary Burton delivers police procedural where tricky part is, Kate already caught him, so either Kate made a deadly error, or she’s got a copycat on her hands—paired with homicide detective Theo Mazur, she quickly realizes this murder is more twisted than it first appeared, and then a second body is found, the mode of death identical to a different case that Kate thought she’d put behind her. 🔍Now Kate and Detective Mazur aren’t just working a homicide; the investigative pair is facing a formidable enemy who knows Kate intimately—while Mazur is personally trying to protect Kate, the closer they are drawn to the killer, the clearer it becomes that in this terrifying game, there is only one rule: don’t believe everything you see. Burton explores what happens when FBI agents return to hometowns to face serial killers they’ve already caught, examining how copycat crimes can mean either wrong convictions or killers with intimate knowledge of investigators. ⚠️
The author delivers police procedural where catching monsters once doesn’t mean they stay caught, proving that sometimes the most dangerous killers are the ones who know your past intimately. Burton writes an FBI agent whose nightmares manifest when murders match cases she closed, creating stakes where every clue might be deliberate misdirection from someone who knows exactly how she thinks. The novel asks whether you can trust your own judgment when the evidence suggests you were wrong all along. 😱
Why I’m including this: Police procedural where catching monsters helps FBI agent Kate Hayden keep her nightmares at bay—now an urgent call brings her back to San Antonio, the scene of her violent past, as a brutal new murder shows hallmarks of serial killer nicknamed the Samaritan with the tricky part being Kate already caught him, so either Kate made a deadly error or she’s got a copycat on her hands—paired with homicide detective Theo Mazur she quickly realizes this murder is more twisted than it first appeared, then a second body is found with mode of death identical to a different case Kate thought she’d put behind her as now Kate and Detective Mazur aren’t just working a homicide but facing a formidable enemy who knows Kate intimately, with Mazur personally trying to protect Kate as the closer they’re drawn to the killer the clearer it becomes that in this terrifying game there is only one rule: don’t believe everything you see.
Adrift in the wake of her father’s death, a failed marriage, and multiple miscarriages, Libby McKenzie feels truly alone—though her new life as a wedding photographer provides a semblance of purpose, it’s also a distraction from her profound pain. Mary Ellen Taylor delivers sisters fiction where when asked to photograph a wedding at the historic Woodmont estate, Libby meets the owner, Elaine Grant, who hoping to open Woodmont to the public has employed young widower Colton Reese to help restore the grounds and asks Libby to photograph the process—Libby is immediately drawn to the old greenhouse shrouded in honeysuckle vines. 🌿As Libby forms relationships and explores the overgrown yet hauntingly beautiful Woodmont estate, she finds the emotional courage to sort through her father’s office—there she discovers a letter that changes everything she knows about her parents, herself, and the estate. Taylor explores what happens when photographing historic estates uncovers family secrets, examining how honeysuckle-covered greenhouses can hide generations of buried truths. Beneath the vines of the old greenhouse lie generations of secrets, and it’s up to Libby to tend to the fruits born of long-buried seeds. 📷
The author delivers sisters fiction where wedding photography assignments become journeys into family history, proving that sometimes the most important restoration work happens inside ourselves. Taylor writes a heroine whose grief over loss transforms when she discovers her entire past was built on secrets her father kept. The novel asks whether you can heal from multiple losses while uncovering painful truths about where you came from. 💔
What makes this special: Sisters fiction where adrift in the wake of her father’s death, a failed marriage, and multiple miscarriages, Libby McKenzie feels truly alone—though her new life as a wedding photographer provides a semblance of purpose it’s also a distraction from her profound pain—when asked to photograph a wedding at the historic Woodmont estate, Libby meets owner Elaine Grant who hoping to open Woodmont to the public has employed young widower Colton Reese to help restore the grounds and asks Libby to photograph the process, with Libby immediately drawn to the old greenhouse shrouded in honeysuckle vines as she forms relationships and explores the overgrown yet hauntingly beautiful Woodmont estate, finding emotional courage to sort through her father’s office where she discovers a letter that changes everything she knows about her parents, herself, and the estate, with beneath the vines of the old greenhouse lying generations of secrets and it’s up to Libby to tend to the fruits born of long-buried seeds.
Dr. Laurel Harlow can’t believe she’s agreed to do a reality TV show—but her years as a chemical dependency counselor and personal history with the show’s director make her the obvious choice. Lucinda Berry delivers domestic thriller where treating a mansion full of former child stars on the road to recovery is the tallest order of her career, especially when one of them turns up dead while the cameras are still rolling—in a house full of narcissists vying for the spotlight, everyone’s hiding something including Laurel, with an investigation that could expose a past she’d rather keep buried. 🎬But among the attention-starved patients, only one of them is a predator—and Laurel is skilled at spotting a predator when she sees one. Berry explores what happens when reality TV rehab shows become murder investigations, examining how counselors with buried pasts must hunt killers among narcissistic former child stars. As she hunts a killer in her present, the unsettling truths of Laurel’s past are forced into the light, but this time, she’ll face her demons head on—she’ll stop at nothing to expose a murderer, even if it means risking everything she holds dear. 😱
The author delivers domestic thriller where chemical dependency counselors become amateur detectives when patients start dying on camera, proving that sometimes the most dangerous thing about reality TV is how real the murders become. Berry writes a heroine whose skill at spotting predators comes from experience she’d rather forget, creating stakes where catching a killer means revealing the past that made her an expert. The novel asks whether you can expose a murderer without exposing yourself. 🔍
Why I’m including this: Domestic thriller where Dr. Laurel Harlow can’t believe she’s agreed to do a reality TV show—but her years as a chemical dependency counselor and personal history with the show’s director make her the obvious choice as treating a mansion full of former child stars on the road to recovery is the tallest order of her career, especially when one of them turns up dead while the cameras are still rolling—in a house full of narcissists vying for the spotlight everyone’s hiding something including Laurel with an investigation that could expose a past she’d rather keep buried, but among the attention-starved patients only one of them is a predator and Laurel is skilled at spotting a predator when she sees one as she hunts a killer in her present with the unsettling truths of Laurel’s past forced into the light, but this time she’ll face her demons head on stopping at nothing to expose a murderer even if it means risking everything she holds dear.
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