At age twenty-nine, Charlie Cooper’s life is not exactly a hit. Working as a precinct secretary at the Boston Police answering phones, making appointments and writing up crime reports means she might not be on the fast track to her ultimate dream job.

And her living situation? She is the proud inhabitant of the most minuscule “master suite” she can afford to pay, where she can brush her teeth, get her clothes out of the dresser drawer, and turn on the hallway light without getting out of bed.

But when her boss sends her to work undercover, she’s ready to take the bull by the horns and prove she is more than just a fast typist. Sure, she has to bite the bullet by returning to her hometown and living with her wacky family, but this is only the cover for her real assignment: finding clues involving a real big drug case.

What starts out to be just harmless snooping turns into a pile of dead bodies, slashed tires and threatening notes. But Charlie is determined to solve the case and catch the killer before he catches her.

Airline pilot Ken Wolfe does not rattle easily. But when he learns that Rudolph Bostich is on his flight, his face goes pale. Bostich, the presumptive nominee for US Attorney General, bungled the case against the man who kidnapped and killed Wolfe’s daughter. The pilot is prepared to do whatever it takes to get revenge—even setting off a bomb on a plane full of passengers.

FBI agent, psychologist, and rookie hostage negotiator Kat Bronsky now has one hundred and thirty lives riding on her every word. As Bronsky speaks with the volatile Wolfe, she realizes she must solve the mystery of an eleven-year-old girl’s murder—in a matter of hours—to avert disaster.

Jim Harrison chronicles his coming-of-age, from a boy drunk with books to a young man making his way among fellow writers he deeply admires—including Peter Matthiessen, Robert Lowell, W.H. Auden, Truman Capote, Tennessee Williams, and Allen Ginsberg (The New York Times Book Review). Harrison discusses forthrightly the life-changing experience of becoming a father, and the minor cognitive dissonance that ensued when this boy from the heartland somehow ended up a highly paid Hollywood screenwriter. He gives free rein to his seven obsessions—alcohol, food, stripping, hunting and fishing (and the dogs who have accompanied him in both), religion, the road, and our place in the natural world—which he elucidates with earthy wisdom and an elegant sense of connectedness. Off to the Side is a work of great beauty and importance, a triumphant achievement that captures the writing life and brings all of us clues for living.

An undercover agent faces the most personal case of his life when he learns that his secret son is in mortal danger.

Although he’s never met the boy who arrives on his doorstep, undercover DEA agent Alex McCade can’t deny the truth. The four-year-old is his child, and—like father, like son—little Cody has landed himself in the middle of a dangerous situation.

Cody is the only one who can identify his mother’s killer. And the boy’s beautiful aunt, Shelby Jacobson, is hoping that Alex can help uncover the truth. Now, with a killer after his newfound family, Alex will do anything to keep Cody and Shelby safely by his side.

As a boy in postwar England, legendary Kinks singer/songwriter Ray Davies fell in love with America—its movies and music, and its culture of freedom, fed his imagination. Then, as part of the British Invasion, he toured the US with the Kinks during one of the most tumultuous eras in recent history—until the Kinks were banned from performing there from 1965-69.

Many tours and trips later, while living in New Orleans, he experienced a transformative event: the shooting (a result of a botched robbery) that nearly took his life. In Americana, Davies tries to make sense of his long love-hate relationship with the country that both inspired and frustrated him. From his quintessentially English perspective as a Kink, Davies—with candor and humor—takes us on a very personal road trip through his life and storied career as a rock star, and reveals what music, fame, and America really mean to him. Some of the most fascinating characters in recent pop culture make appearances, from the famous to the perhaps even-more-interesting behind-the-scenes players. The book also includes photos from Davies’s own collection and the band’s archive.

Marguerite Caine’s physicist parents are known for their groundbreaking achievements. Their most astonishing invention, called the Firebird, allows users to jump into multiple universes—and promises to revolutionize science forever. But then Marguerite’s father is murdered, and the killer—her parent’s handsome, enigmatic assistant Paul— escapes into another dimension before the law can touch him.

Marguerite refuses to let the man who destroyed her family go free. So she races after Paul through different universes, always leaping into another version of herself. But she also meets alternate versions of the people she knows—including Paul, whose life entangles with hers in increasingly familiar ways. Before long she begins to question Paul’s guilt—as well as her own heart. And soon she discovers the truth behind her father’s death is far more sinister than she expected.