Paige was gone. They’d taken her little girl.

After eight-year-old Paige disappears without a trace, FBI Special Agent Tess Winnett is called to investigate one of the boldest kidnappings the bureau has seen. The girl was taken from a theater filled with witnesses, in the middle of a children’s play. And no one saw anything.

Starting a frenzied search and following leads that seem to suggest a link to the girl’s father, the state district attorney, Tess is stunned to learn of a ransom call that points to an entirely different motive, old as time itself: money.

The first twenty-four hours: critical

Frantic for answers and painfully aware of each passing moment, Tess has a choice to make: trust her instinct and follow the leads that seem to indicate an organized crime connection? Or give in to the demands of the parents and assist with the ransom payment?

The Elements of Style William Strunk concentrated on specific questions of usage—and the cultivation of good writing—with the recommendation “Make every word tell”; hence the 17th principle of composition is the simple instruction: “Omit needless words.”

The book was also listed as one of the 100 best and most influential books written in English since 1923 by Time in its 2011 list.

She sees ghosts…but are they malevolent or friendly?

Poor little rich girl Violet Yorke has seen ghosts for as long as she can remember, but no one believes her.

Not stodgy Grandmother, who took charge of the heiress after her parents were killed in a failed robbery. Nor kind-hearted Aunt Nanette, or Uncle Bertie, a charming rogue. Not even the patient Hugo Hewitt, Violet’s godfather and trustee of her vast fortune.

Everyone dismissed the child’s insistence about ghosts as a harmless eccentricity—until the night her bedroom caught fire. Violet was promptly sent overseas, fueling her anger and resentment.

Two years later, a rebellious twelve-year-old Violet is on her way back to Manhattan on the doomed Titanic. As the ship sinks into the deep Atlantic Ocean, she’s put in a lifeboat by an apparition who rescued her from the clutches of a jewel thief. Presumed lost at sea, Violet shocks everyone by crashing her own funeral.

Beau Roosevelt seemingly has it all. Intimidatingly handsome, wildly successful, and universally respected, he’s already achieved greatness by becoming the youngest Governor in Maine’s history – not to mention its most eligible!

But Beau is only just getting started. The next stage in his ambitious journey is to win a second term in office – and to achieve that, he’s committed himself to a step-by-step plan for future success that doesn’t leave any room for wildcards.

Wildcards like Sarah Todd.

Brilliant, beautiful, and mysterious, Sarah has become Beau’s new Chief Legal Counsel – and on paper, she’s perfect for the campaign. A Harvard valedictorian with a past so clean it squeaks, Sarah seems almost too good to be true; and that’s exactly how Beau feels the moment he first gazes into her eyes.

This is Freud’s greatest and most important work in which he introduces his theory of the unconscious with respect to dream interpretation, and also first discusses what would later become the theory of the Oedipus complex, and it is widely considered one of his most important works. Freud said of this work, “Insight such as this falls to one’s lot but once in a lifetime.” Dreams, in Freud’s view, are all forms of “wish fulfillment” — attempts by the unconscious to resolve a conflict of some sort, whether something recent or something from the recesses of the past. Because the information in the unconscious is in an unruly and often disturbing form, a “censor” in the preconscious will not allow it to pass unaltered into the conscious. Freud refers to dreams as “The Royal Road to the Unconscious”. He proposed the ‘phenomenon of condensation’ – the idea that one simple symbol or image presented in a person’s dream may have multiple meanings.

“Yet each man kills the thing he loves, By each let this be heard, Some do it with a bitter look, Some with a flattering word, The coward does it with a kiss, The brave man with a sword!” A powerful poem of universal guilt and a protest against capital punishment, The Ballad of Reading Gaol is Wilde’s best-known poem, yet it is quite unlike the rest of his poetry. At Oxford Wilde discarded the passion and politics of his mother’s Irish nationalistic anti-famine poetry and opted to follow an English Romantic tradition, paying tribute to Keats, Swinburne, and the Pre-Raphaelites. Admiration of French masters gradually led to his writing Impressionist, even decadent poems and his collection Poems (1881) brought accusations of obscenity and plagiarism as well as scathing reviews.