The last thing Eleanora Quinton expects when the dead body hits the floor is love with the son of a duke.

As society’s most capable housekeeper, Eleanora has conquered any number of social disasters. But when a dead body falls right into the middle of her mistress’s ball and her son gets kidnapped, the only person who can help her also forces her to face her most crippling fears.

A spy for the British War Office and illegitimate son of a duke, Nathan Black pulls the infallible housekeeper into a cyclone of espionage, intrigue and danger as he searches for the meaning behind her son’s kidnapping. Fighting to keep Eleanora safe, Nathan struggles with his growing attraction to her, but as the treasonous plot twists around them, too many clues point to Eleanora and a past of which she will not speak.

The Marquess of Grayson never felt a twinge of guilt when he stole the beautiful Lady Pelham right out from under his best friend’s nose. After all, they were well matched in all things—their sensual appetites, wicked wits, provocative reputations, and their absolute refusal to ruin their marriage of convenience by falling in love.

But then a shocking turn of events sent her roguish husband from her side. Four years later, he has returned a powerful, irresistible man who is determined to seduce his way into her affections. No, this is not at all the man she married. But he is the man who might finally steal her heart . . .

Louis de Bernières creates a world, populates it with characters as real as our best friends, and launches it into the maelstrom of twentieth-century history. The setting is a small village in southwestern Anatolia in the waning years of the Ottoman Empire. Everyone there speaks Turkish, though they write it in Greek letters. It’s a place that has room for a professional blasphemer; where a brokenhearted aga finds solace in the arms of a Circassian courtesan who isn’t Circassian at all; where a beautiful Christian girl named Philothei is engaged to a Muslim boy named Ibrahim. But all of this will change when Turkey enters the modern world.

My name is Zoe Lane, and I see dead people.

Well, I see one dead person. Willie MacIntosh, a ninety-something-year-old multi-millionaire, who looks thirty, has a demanding personality, a strong opinion on my wardrobe and my love life, and he wants to know how he died.

The problem is, there were a lot of people who wanted Willie MacIntosh dead, and it’s my job to figure out who the killer is. At least, I think it’s my job. This whole medium gig is new to me. What I do know for sure is digging around in a dead stranger’s life, especially when there’s a multi-million dollar inheritance on the line, is a dangerous business.

If I’m not careful, the next dead person will be me.

Ellie Bartlett dreams of a life away from the sharp edges of New York City. Away from her creepy boss, shoebox apartment, and nights spent alone eating ice-cream. She’s desperate to find happiness—and love.

After losing out on yet another promotion, Ellie quits her job and buys a ticket to South America. Arriving at her hostel as a first-time backpacker, she finds a mysterious guidebook filled with cryptic messages about life and love. Intrigued, Ellie contacts the previous owner, Bella, who wrote her name under the heading THIS BOOK BELONGS TO.

Her email lands in the inbox of Jerry Townsend, an architect and widower living in San Francisco. Jerry is barely keeping his life together as he juggles raising three daughters alone and construction of a museum in memory of his late wife—Bella.

Enter a world equal parts Dexter and 50 Shades in this first, award winning erotic thriller from A.R. Torre!
My life is simple, as long as I follow the rules.
1. Don’t leave the apartment. 2. Never let anyone in. 3. Don’t kill anyone.
I’ve obeyed these rules for three years. But rules were made to be broken.

In the old house on a hill, where the city meets the rainforest, Yejide’s mother is dying. She is leaving behind a legacy that now passes to Yejide: one St Bernard woman in every generation has the power to shepherd the city’s souls into the afterlife. But after years of suffering her mother’s neglect and bitterness, Yejide is looking for a way out.

Raised in the countryside by a devout Rastafarian mother, Darwin has always abided by the religious commandment not to interact with death. He has never been to a funeral, much less seen a dead body. But when the only job he can find is grave digging, he must betray the life his mother built for him in order to provide for them both. Newly shorn of his dreadlocks and his past, and determined to prove himself, Darwin finds himself adrift in a city electric with possibility and danger.