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Did someone really kill Grandma or am I and my merry band of geriatric ‘detectives’ imagining things?
Grandma’s knitting group of Jessica Fletcher wannabes are convinced Grandma’s death wasn’t natural. Something to do with knitting needle placement? No idea what they’re talking about. The police think the old ladies are senile. I don’t necessarily disagree, but I’m always up for a bit of excitement as long as it doesn’t lead to a night in jail.
But someone is not happy with our snooping around, which only spurs us on to snoop more. Things are starting to heat up in our little town.
Will we find Grandma’s killer in time?
Invasion is inevitable.
The Earth Fleet has known of the Watchers for years, unwilling to share the knowledge with humanity. Now it might be too late.
Hidden away from the Fleet, one man is creating a new colony ship destined for the other side of the Rift, but he’s missing a few pieces.
Three other people have varied paths to get there. Ace goes from the streets of Earth to the Fleet training facility on the moon. Flint, an ex-Fleet pilot, must decide if a job is worth his life, and Wren, imprisoned for a secret project years ago, is given hope as an unlikely ally whispers words of escape in her ear.
Their journeys lead to Councilman Jarden Fairbanks, who knows of the impending invasion, and has prepared.
When a high profile socialite is found dead, posed in an extremely provocative position, Lieutenant Ellison Frost must set aside her personal connection in pursuit of the truth.
As the case pushes into the reaches of the victim’s sexually deviant lifestyle, Frost must battle exposing her own private life and the duality it has become.
Can she solve the case without exposing her twisted desires and risking her career? Does she continue to hide the shackles that restrain her or simply throw them to the light and forever be Unbound?
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It’s 1974 and Ellison Russell’s life revolves around her daughter and her art. She’s long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper’s death. The murder forces Ellison to confront her husband’s proclivities and his crimes—kinky sex, petty cruelties and blackmail.
As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer. But with an interfering mother, an adoring father, a teenage daughter, and a cadre of well-meaning friends demanding her attention, can Ellison find the killer before he finds her?
By midsummer 1945, Japan had long since lost the war in the Pacific. The people were not told the truth, and neither was the emperor. Japanese generals, admirals, and statesmen knew, but only a handful of leaders were willing to accept defeat. Most were bent on fighting the Allies until the last Japanese soldier died and the last city burned to the ground.
Exhaustively researched and vividly told, The Fall of Japan masterfully chronicles the dramatic events that brought an end to the Pacific War and forced a once-mighty military nation to surrender unconditionally.
From the ferocious fighting on Okinawa to the all-but-impossible mission to drop the 2nd atom bomb, and from Franklin D. Roosevelt’s White House to the Tokyo bunker where tearful Japanese leaders first told the emperor the truth, William Craig captures the pivotal events of the war with spellbinding authority.
A vintage suitcase is pulled from the trash by a young New York advertising executive brainstorming a campaign on her way to work. The account is Steinbach Luggage, the German answer to Louis Vuitton and Hermes. There is only one problem with the vintage bag—like Steinbach’s CEO, it is a Holocaust survivor, as evidenced by the name and other personal data painted on it.
The suitcase is hallowed memorabilia, and no one dares open it until it is determined if the owner is still alive. The Holocaust survivor turns out to be an eighty-nine-year-old member of New York’s Jewish aristocracy, a prominent philanthropist and surgeon. When he gives his consent, the documents inside the suitcase pique the interest of a New York Times reporter—whose investigation begins to unravel a devastating secret that has been locked away since the day Dachau was liberated.
A journalist’s obsession brings her to a remote island off the California coast, home to the world’s most mysterious and fearsome predators–and the strange band of surfer-scientists who follow them
Susan Casey was in her living room when she first saw the great white sharks of the Farallon Islands, their dark fins swirling around a small motorboat in a documentary. These sharks were the alphas among alphas, some longer than twenty feet, and there were too many to count; even more incredible, this congregation was taking place just twenty-seven miles off the coast of San Francisco.
Super Bowl Champion and two-time Pro Bowler Michael Bennett is an outspoken proponent for social justice and a man without a censor. One of the most scathingly humorous athletes on the planet, he is also a fearless activist, grassroots philanthropist, and organizer.
Written with award-winning sportswriter and author Dave Zirin, Things That Make White People Uncomfortable is a sports book for our times, a sports memoir and manifesto as hilarious as it is revealing.
Bennett, a defensive end for the Seattle Seahawks, has gained international recognition for his public support for the Black Lives Matter Movement and women’s rights.
A page-turning, existential romp through the life and times of the world’s most polarizing punctuation mark
The semicolon. Stephen King, Hemingway, Vonnegut, and Orwell detest it. Herman Melville, Henry James, and Rebecca Solnit love it. But why? When is it effective? Have we been misusing it? Should we even care?
In Semicolon, Cecelia Watson charts the rise and fall of this infamous punctuation mark, which for years was the trendiest one in the world of letters. But in the nineteenth century, as grammar books became all the rage, the rules of how we use language became both stricter and more confusing, with the semicolon a prime victim.