{"id":177801876,"date":"2025-11-02T16:20:06","date_gmt":"2025-11-02T16:20:06","guid":{"rendered":"https:\/\/www.weberbooks.com\/kindle\/2025\/11\/02\/all-my-loving-sweet-ballad-savage-guitar-%e2%9d%a4%ef%b8%8f%f0%9f%94%a5\/"},"modified":"2026-04-18T18:24:05","modified_gmt":"2026-04-18T22:24:05","slug":"all-my-loving-sweet-ballad-savage-guitar-%e2%9d%a4%ef%b8%8f%f0%9f%94%a5","status":"publish","type":"post","link":"https:\/\/www.weberbooks.com\/kindle\/2025\/11\/02\/all-my-loving-sweet-ballad-savage-guitar-%e2%9d%a4%ef%b8%8f%f0%9f%94%a5\/","title":{"rendered":"&#039;All My Loving&#039;: Sweet Ballad, Savage Guitar! &#x2764;&#xfe0f;&#x200d;&#x1f525;"},"content":{"rendered":"<h2>Paul\u2019s Romantic C&amp;W Song vs. John\u2019s Turbocharged Rickenbacker Triplets\u2014The Subconscious Battle That Defined the Beatles&#8217; US Debut! <\/h2><h2>\u201cAll My Loving\u201d: The Story Behind The Beatles\u2019 First American Song &#x1f3b6;<\/h2><p>\u201cAll My Loving,\u201d released on the 1963 album <em><strong>With The Beatles<\/strong><\/em>, is considered one of <strong>Paul McCartney\u2019s<\/strong> most elegant and complete compositions from their early years. It perfectly encapsulates their transformation from a straightforward rock \u2018n\u2019 roll band into sophisticated pop songwriters, while simultaneously serving as the song that formally <strong>introduced them to America.<\/strong> &#x1f680;<\/p><h3>Songwriting Credit: An Almost-Entirely Paul Composition<\/h3><p>While all Beatles songs written by John Lennon and Paul McCartney were officially credited to the <strong>Lennon\u2013McCartney partnership<\/strong>, \u201cAll My Loving\u201d is widely acknowledged to be <strong>Paul McCartney\u2019s creation, primarily written alone.<\/strong><\/p><ul><li><p><strong>McCartney\u2019s Contribution:<\/strong> Paul wrote the entire <strong>melody and lyrics<\/strong>. This song is a prime example of his developing talent for crafting gentle, romantic tunes with strong melodic structures.<\/p><\/li><li><p><strong>Lennon\u2019s Role:<\/strong> John Lennon\u2019s primary contribution was helping with the <strong>middle eight (bridge)<\/strong> section, but his most significant input was the <strong>driving rhythmic guitar<\/strong> that gives the track its distinctive energy. John often expressed his admiration for the song\u2019s construction, even though he didn\u2019t write it.<\/p><p><em><strong>This essay continues below:<\/strong><\/em><\/p><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/82fuBQca1C8?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span>\n<\/div><\/figure><h3>The Genesis of the Song: Lyrics First and a Country Heart<\/h3><p>McCartney often composed his songs by working out the melody on the piano or guitar first, but he recalled that <strong>\u201cAll My Loving\u201d was one of the first times he conceived the lyrics first.<\/strong> &#x1f4dd;<\/p><ul><li><p><strong>The Inspiration:<\/strong> Paul claims the lyrics came to him while he was <strong>shaving<\/strong> one morning. The lines were written in the style of a <strong>love letter<\/strong>, envisioning a communication between two long-distance lovers.<\/p><\/li><li><p><strong>Location\/Style:<\/strong> There is a persistent belief that he wrote the lyrics on a <strong>tour bus<\/strong> while traveling. Adding to this travel theme, McCartney originally conceived the song not as a typical pop tune, but as a <strong>Country &amp; Western song<\/strong>, a style he admired. The final arrangement retains a touch of that steady, narrative rhythm common in C&amp;W music. &#x1f920;<\/p><\/li><\/ul><p>Just recently, someone posted a video of the Beatles performing the song during their first U.S. concert, at the Washington, D.C., Coliseum. The video has been enhanced with color, and greatly improved sound\u2014it\u2019s well worth watching if you haven\u2019t seen it:<\/p><p><em><strong>This essay continues below:<\/strong><\/em><\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/TFW5H0lo-4c?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span>\n<\/div><\/figure><h3>The Famous Triplet Guitar Riff<\/h3><p>Again, the most distinctive musical element of the recorded version is <strong>John Lennon\u2019s relentless, fast, descending triplet guitar pattern<\/strong> played on a clean electric guitar. This riff is continuous throughout the entire song, providing a jittery, energetic undercurrent. &#x1f3b8;<\/p><ul><li><p><strong>The Intent:<\/strong> Lennon\u2019s contribution completely transformed McCartney\u2019s gentle love song. He reportedly felt the track needed an element of <strong>drive and urgency<\/strong> to prevent it from sounding too sentimental or slow. The rhythmic triplet pattern locks the song into a frantic, rock-and-roll groove, counterbalancing the sweetness of Paul\u2019s vocals.<\/p><\/li><li><p><strong>The Technique:<\/strong> It\u2019s a perfect example of how the Lennon-McCartney partnership worked\u2014Lennon provided the <strong>rhythmic propulsion and grit<\/strong>, while McCartney provided the <strong>pop melody and romance<\/strong>.<\/p><\/li><\/ul><h3>Recording and American Significance<\/h3><p>\u201cAll My Loving\u201d was quickly recorded in July 1963 and became a favorite album track. However, its historical significance exploded in early 1964:<\/p><ul><li><p><strong>The Ed Sullivan Show:<\/strong> The song was the first track The Beatles played on their historic debut performance on <em><strong>The Ed Sullivan Show<\/strong><\/em> on February 9, 1964. &#x1f4fa;<\/p><\/li><li><p><strong>The Opening Song:<\/strong> For a period during their first American tour, <strong>\u201cAll My Loving\u201d was often the opening song<\/strong> of their live set. This choice was highly strategic: it was fast, recognizable, and immediately demonstrated their harmonic perfection and sharp pop writing. It served as the perfect warm-up, instantly grabbing the attention of the screaming American audiences who were witnessing Beatlemania firsthand. &#x1f92f;&#x1f44f;<\/p><\/li><\/ul><h1>The Beatles\u2019 Perfect Opening Act &#x1f3b8;<\/h1><p>When The Beatles stepped onto the stage of <em>The Ed Sullivan Show<\/em>, they didn\u2019t open with their biggest hit. They didn\u2019t start with \u201cI Want to Hold Your Hand\u201d or \u201cShe Loves You.\u201d Instead, they launched into \u201cAll My Loving\u201d\u2014a song that would become their signature opener during the height of Beatlemania. But why this song? And what makes it so special that it earned that coveted first spot in their setlist? &#x1f3a4;<\/p><h2>The Writing Credits: Paul\u2019s Baby (With a Little Help?) &#x270d;&#xfe0f;<\/h2><p>Unlike many of their early collaborations, where both contributed verses or helped finish each other\u2019s ideas, John Lennon appears to have had no hand in writing this one. In later interviews, Lennon himself acknowledged that \u201cAll My Loving\u201d was \u201cPaul\u2019s completely.\u201d &#x1f4af;<\/p><p>This makes the song somewhat unusual in their early catalog\u2014a pure McCartney number that nonetheless became central to The Beatles\u2019 live performances. While Lennon contributed nothing to the songwriting, his role in the arrangement and performance would prove absolutely crucial to the song\u2019s success. &#x1f3b5;<\/p><h2>The Birth of a Classic: Shaving Cream and Tour Buses &#x1f68c;<\/h2><p>The origin story of \u201cAll My Loving\u201d has been told with slight variations over the years, but the core details remain consistent\u2014and fascinatingly unconventional. According to McCartney, he wrote the lyrics while shaving one morning. &#x1fa92; Some accounts place this moment during a tour bus ride, suggesting perhaps he was shaving in the cramped bathroom of their touring vehicle. Either way, the key detail is this: Paul wrote the <em>words<\/em> first.<\/p><p>\u201cIt was the first time I\u2019d ever written the words without the music,\u201d McCartney has recalled in multiple interviews. This reversed his usual process entirely. Typically, he and Lennon would work out melodies on guitar or piano, with lyrics emerging from the musical phrases. But \u201cAll My Loving\u201d came to Paul as a poem, a love letter in verse form, and only later did he sit down to find the tune. &#x1f4dd;<\/p><p>This lyric-first approach may explain the song\u2019s unusual structure and the way the words flow so naturally, almost conversationally. The melody had to bend to fit the words, rather than the other way around. &#x2728;<\/p><p><em><strong>This essay continues below (As an Amazon Associate, I earn from qualifying purchases):<\/strong><\/em><\/p><h1><a href=\"https:\/\/www.amazon.com\/dp\/B07FT84TZQ?tag=bookcheapskate-20&amp;linkCode=ogi&amp;th=1&amp;psc=1\">All My Loving (Remastered 2009) (MP3 Music)<\/a><\/h1><figure class=\"wp-block-image size-large\"><img src=\"https:\/\/i0.wp.com\/substack-post-media.s3.amazonaws.com\/public\/images\/122cbbb3-3423-4299-ad82-203c34efa7e2_500x500.jpeg?w=640&#038;ssl=1\" alt=\"Buy Now\" data-recalc-dims=\"1\"\/><\/figure><h2>Country Roads to Merseybeat: The Genre Shift &#x1f920;<\/h2><p>Perhaps most surprising is McCartney\u2019s original vision for the song. He\u2019s stated that he initially conceived \u201cAll My Loving\u201d as a country and western number\u2014a genre The Beatles occasionally dabbled in, influenced by artists like Carl Perkins and the Everly Brothers. One can almost imagine it as a honky-tonk ballad, with pedal steel guitar and a shuffling beat. &#x1f3b6;<\/p><p>But somewhere between conception and recording, \u201cAll My Loving\u201d transformed into something entirely different: a driving, energetic rocker with a distinctly British beat group sound. The country influence remained only as a ghost in the song\u2019s DNA\u2014perhaps in the romantic, sentimental lyrics, or in the underlying chord structure. The final product was pure Merseybeat energy. &#x26a1;<\/p><h2>Lennon\u2019s Secret Sauce &#x1f3b8;&#x1f4a8;<\/h2><p>If McCartney wrote the song, John Lennon made it unforgettable. His contribution came in the arrangement, specifically in that cascading, rapid-fire guitar figure that opens the song and drives it forward throughout. Those famous triplets\u2014three quick notes on his Rickenbacker guitar\u2014created an urgency and excitement that elevated \u201cAll My Loving\u201d from a sweet love song to an irresistible rocker. &#x1f525;<\/p><p>But why did Lennon choose this particular approach? The triplet figure wasn\u2019t a common feature in early Beatles arrangements. Several factors likely contributed:<\/p><p><strong>The energy:<\/strong> The triplets created forward momentum, a sense of rushing excitement that perfectly matched the lyrics about absence and longing. &#x1f3c3;&#x200d;&#x2642;&#xfe0f;<\/p><p><strong>The distinction:<\/strong> It gave the song a unique sonic signature, instantly recognizable from the opening notes. &#x1f442;<\/p><p><strong>The challenge:<\/strong> Maintaining that triplet pattern throughout requires stamina and precision\u2014it\u2019s a guitarist showing off, but in service of the song. &#x1f4aa;<\/p><p><strong>The texture:<\/strong> Against Paul\u2019s melodic bass line and the solid backbeat, the triplets added a shimmering, almost nervous energy that suggested both excitement and anxiety\u2014perfect for a song about being apart from someone you love. &#x1f494;&#x27a1;&#xfe0f;&#x2764;&#xfe0f;<\/p><p>Lennon himself never extensively discussed why he chose this arrangement, but its effectiveness speaks for itself. Try imagining \u201cAll My Loving\u201d without those triplets\u2014the song would still be good, but it wouldn\u2019t be <em>special<\/em>. &#x1f31f;<\/p><h2>John\u2019s Verdict: Actions Speak Louder Than Words &#x1f5e3;&#xfe0f;<\/h2><p>What did John Lennon think of \u201cAll My Loving\u201d? While he didn\u2019t lavish the song with extensive praise in interviews, his actions told the story. The Beatles chose to open their shows with this song during their most crucial period\u2014not just any shows, but their American debut, their <em>Ed Sullivan<\/em> appearances, their conquest of the world. &#x1f30d;<\/p><p>You don\u2019t open with a song unless you believe in it completely. The first song sets the tone, establishes the energy, tells the audience who you are. That The Beatles consistently chose \u201cAll My Loving\u201d for this role suggests that Lennon\u2014and the group as a whole\u2014recognized something special in McCartney\u2019s composition. &#x2705;<\/p><p>In later years, when Lennon was more openly critical of certain Beatles songs (including some of his own), \u201cAll My Loving\u201d escaped his harsh reassessments. This quiet approval may be more meaningful than effusive praise would have been. &#x1f910;&#x27a1;&#xfe0f;&#x1f44d;<\/p><h2>In the Studio: Capturing Lightning in a Bottle &#x1f399;&#xfe0f;<\/h2><p>\u201cAll My Loving\u201d was recorded on July 30, 1963, during a single session at EMI Studios (later Abbey Road) in London. It took just fourteen takes to nail it\u2014remarkably few by later Beatles standards, though fairly typical for their efficient early recording sessions. The song was intended for their second album, <em>With the Beatles<\/em>, which would be released that November. &#x1f4c5;<\/p><p>The recording process was straightforward: The Beatles played it live in the studio, with minimal overdubs. Paul sang lead vocal while playing his H\u00f6fner bass, John provided those essential triplet guitar figures on his Rickenbacker, George Harrison added rhythm guitar, and Ringo Starr laid down his typically solid drum track. Producer George Martin conducted from the control room, but the arrangement was essentially complete when they arrived at the studio\u2014this was the Beatles playing what they\u2019d been performing live. &#x1f39a;&#xfe0f;<\/p><p>One notable detail: Paul\u2019s vocal was recorded while he was also playing bass, giving his singing an energy and immediacy that might have been lost if he\u2019d done a separate vocal overdub. You can hear him fully inhabiting the performance, his voice occasionally straining slightly in the higher register, adding to the earnest emotion of the lyrics. &#x1f3a4;<\/p><p>The mix was fairly simple by later standards\u2014The Beatles\u2019 voices upfront, instruments clearly delineated but balanced, with Lennon\u2019s guitar triplets prominent enough to do their work without overwhelming McCartney\u2019s vocal. George Martin\u2019s production was unobtrusive but effective, letting the song\u2019s inherent energy shine through. &#x1f50a;<\/p><h2>The Album Context: A Strategic Placement &#x1f4bf;<\/h2><p>On <em>With the Beatles<\/em>, \u201cAll My Loving\u201d occupied the first track of side two\u2014a position of importance, essentially opening the album\u2019s second act. This placement gave it prominence while saving the absolute opening slot for the more rocking <strong><a href=\"https:\/\/beatlesrewind.substack.com\/p\/it-wont-be-long-yeah-yeah-till-i?utm_source=publication-search\">\u201cIt Won\u2019t Be Long\u201d<\/a><\/strong> (a Lennon composition). The running order suggested that even in late 1963, The Beatles and George Martin recognized they had something special with \u201cAll My Loving.\u201d &#x1f4c0;<\/p><p>The song fit perfectly into <em>With the Beatles<\/em>\u2018 overall sound\u2014more assured and polished than <em>Please Please Me<\/em>, but still raw and immediate. Surrounded by tracks like \u201cAll I\u2019ve Got to Do\u201d and \u201cNot a Second Time,\u201d \u201cAll My Loving\u201d held its own, arguably outshining everything around it. &#x1f31f;<\/p><h2>Why It Worked: The Perfect Storm &#x26c8;&#xfe0f;&#x27a1;&#xfe0f;&#x2600;&#xfe0f;<\/h2><p>Looking back, several elements came together to make \u201cAll My Loving\u201d special:<\/p><p><strong>McCartney\u2019s lyric-first approach<\/strong> created unusually conversational, emotionally direct words. &#x1f4ac;<\/p><p><strong>His melodic gift<\/strong> produced a tune that was both sophisticated and immediately memorable. &#x1f3bc;<\/p><p><strong>Lennon\u2019s triplet arrangement<\/strong> added urgency and distinction. &#x1f3b8;<\/p><p><strong>The group\u2019s tight performance<\/strong> delivered energy without sloppiness. &#x1f3af;<\/p><p><strong>The universal theme<\/strong> of longing and absence resonated with teenagers experiencing their first serious relationships. &#x1f498;<\/p><p><strong>The timing<\/strong> was perfect\u2014recorded as Beatlemania was beginning to build, ready to deploy when they needed their best material. &#x23f0;<\/p><h2>The Live Legacy: Opening Night After Night &#x1f3ad;<\/h2><p>Watching footage of The Beatles performing \u201cAll My Loving\u201d on <em>Ed Sullivan<\/em> or at the Washington Coliseum, you can see why they chose it. The song projects confidence and joy. Lennon, playing those demanding triplets, looks focused but happy. McCartney, singing and playing simultaneously, radiates charm. Harrison and Starr lock in the groove. And the teenage audience loses their ever-loving collective mind. &#x1f929;<\/p><p>It was the perfect opening statement: \u201cWe\u2019re The Beatles, we\u2019ve arrived, and we\u2019re about to rock your world.\u201d &#x1f680;<\/p><h2>The Coda: The Song That Kept Giving &#x1f381;<\/h2><p>\u201cAll My Loving\u201d represents a perfect snapshot of The Beatles in transition\u2014still a working band playing live, but beginning to discover their studio possibilities. It\u2019s Paul McCartney coming into his own as a songwriter, finding new approaches to composition. It\u2019s John Lennon proving that you don\u2019t need to write a song to make it your own through arrangement and performance. It\u2019s the group\u2019s collective instinct for choosing the right song for the right moment. &#x1f3af;<\/p><p>Most importantly, it\u2019s a song that worked\u2014as an album track, as a concert opener, as a cultural moment. When those triplets kicked in and Paul started singing \u201cClose your eyes and I\u2019ll kiss you,\u201d millions of teenagers did close their eyes, transported by three minutes of perfect pop craftsmanship. &#x2764;&#xfe0f;<\/p><p>That McCartney wrote it while shaving, that he thought it might be country, that Lennon added those triplets almost as an afterthought\u2014these details only make the song more remarkable. Sometimes the best art emerges from accidents, reversals of process, and collaborative instincts that work better than anyone could have planned. &#x1f3a8;&#x27a1;&#xfe0f;&#x1f3b5;<\/p><p>\u201cAll My Loving\u201d proves that sometimes, a love letter written on a tour bus can become the opening statement for a musical revolution. &#x1f48c;&#x27a1;&#xfe0f;&#x1f31f;<\/p><p><em><strong>And, for you hard-core Beatles fans, here\u2019s one more fun piece of trivia about the song:<\/strong><\/em><\/p><h1>The Opening: Voice First, Then the Magic &#x2728;<\/h1><p>\u201cAll My Loving\u201d famously begins with a dramatic rhythmic device: Paul\u2019s voice enters a cappella on the opening phrase (\u201dClose your eyes&#8230;\u201d) just ahead of the beat, preceding the band\u2019s full entrance. And this brief moment of isolation wasn\u2019t a one-off introduction; it is repeated at the start of every subsequent verse, creating a striking stop-start dynamic that heightens the eager urgency of John\u2019s relentless triplet rhythm guitar. &#x1f504;<\/p><p>This makes even sense from an arrangement perspective:<\/p><p><strong>Maximum impact:<\/strong> Starting with just Paul\u2019s naked vocal is incredibly bold. There\u2019s no instrumental cushion, no safety net\u2014just his voice launching the song. Then BAM, the full band explodes in. Dramatic! &#x1f4a5;<\/p><p><strong>The \u201clean-in\u201d effect:<\/strong> When you hear a voice alone at the very start, you instinctively lean in to listen. You\u2019re caught off guard. Then when the instruments hit, it\u2019s like a curtain being thrown open. &#x1f3ad;<\/p><p><strong>Showcasing confidence:<\/strong> Starting a rock song with an unaccompanied vocal (rather than a guitar riff or drum fill) was unusual and showed serious confidence\u2014both in Paul\u2019s voice and in the song itself. &#x1f3a4;<\/p><p><strong>Perfect for live performance:<\/strong> This opening was incredibly effective on stage. The audience hears Paul\u2019s voice first, recognizes the song immediately, then gets hit with the full instrumental assault. &#x1f3b8;<\/p>","protected":false},"excerpt":{"rendered":"<p>Paul\u2019s Romantic C&#038;W Song vs. John\u2019s Turbocharged Rickenbacker Triplets\u2014The Subconscious Battle That Defined the Beatles&#8217; US Debut! <\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"amazonpipp_noncename":"","amazon-product-isactive":"","amazon-product-single-asin":"","amazon-product-content-location":"","amazon-product-content-hook-override":"","amazon-product-excerpt-hook-override":"","amazon-product-singular-only":"","amazon-product-amazon-desc":"","amazon-product-show-gallery":"","amazon-product-show-features":"","amazon-product-newwindow":"","amazon-product-show-list-price":"","amazon-product-show-used-price":"","amazon-product-show-saved-amt":"","amazon-product-timestamp":"","amazon-product-new-title":"","amazon-product-use-cartURL":"","amazon_featured_post_meta_key":"","_amazon_featured_alt":"","amazon-product-template":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[33,1],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2x2Mt-c22oc","_links":{"self":[{"href":"https:\/\/www.weberbooks.com\/kindle\/wp-json\/wp\/v2\/posts\/177801876"}],"collection":[{"href":"https:\/\/www.weberbooks.com\/kindle\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.weberbooks.com\/kindle\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.weberbooks.com\/kindle\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.weberbooks.com\/kindle\/wp-json\/wp\/v2\/comments?post=177801876"}],"version-history":[{"count":1,"href":"https:\/\/www.weberbooks.com\/kindle\/wp-json\/wp\/v2\/posts\/177801876\/revisions"}],"predecessor-version":[{"id":194564324,"href":"https:\/\/www.weberbooks.com\/kindle\/wp-json\/wp\/v2\/posts\/177801876\/revisions\/194564324"}],"wp:attachment":[{"href":"https:\/\/www.weberbooks.com\/kindle\/wp-json\/wp\/v2\/media?parent=177801876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.weberbooks.com\/kindle\/wp-json\/wp\/v2\/categories?post=177801876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.weberbooks.com\/kindle\/wp-json\/wp\/v2\/tags?post=177801876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}